Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus)
Marc-Antoine Charpentier, William Christie, Les Arts Florissants
Charpentier : Médée
1:48 March 28, 1995
BPM
136
Key
A Major
Camelot
11B

Embed

Share Link

Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus) - Marc-Antoine Charpentier, William Christie, Les Arts Florissants Information

Acousticness
92%
Danceability
44%
Energy
18%
Instrumentalness
0%
Liveness
12%
Loudness
64%
Speechiness
10%
Valence
29%
Popularity
Loudness
-21.304 dB

Summary

Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus)' came out on March 28, 1995. With Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 40 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus) BPM

The tempo marking of Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus) by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Charpentier : Médée, Act 3: "L'Enfer obéit à ta voix" (Chorus) Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pergolesi: Stabat Mater: II. Cujus animam gementem by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Stabat Mater: II. Cujus animam gementemGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiG Major19B103 BPM
Provenzale: Lo schiavo di sua moglie: Provenzale: Lo schiavo di sua moglie: "Non posso far" (Lucillo)Francesco Provenzale, Lea Desandre, jupiter_BRKN, Thomas DunfordD♭ Major33B136 BPM
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro by Pietro Locatelli, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in F Major, Op. 1, No. 1: III. AllegroPietro Locatelli, Capella Istropolitana, Jaroslav KrcekF Major27B123 BPM
Nabucco: Prologo / Siamo a riva by Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo BellottoNabucco: Prologo / Siamo a rivaMichelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo BellottoB♭ Minor13A77 BPM
Te Deum - hobo kwartet by Martin Malto, Marc-Antoine Charpentier, Klassieke MuziekTe Deum - hobo kwartetMartin Malto, Marc-Antoine Charpentier, Klassieke MuziekD Major210B75 BPM
Médée, H. 491, Act V: Récit. Médée, H. 491, Act V: Récit. "Quel feu dans mes veines s'allume ?"Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois, Judith van WanroijC Minor15A102 BPM
Macbeth: End of Act 4 – The Earl of Douglas’s Lament by Samuel Arnold, Toronto Chamber Orchestra, Kevin MallonMacbeth: End of Act 4 – The Earl of Douglas’s LamentSamuel Arnold, Toronto Chamber Orchestra, Kevin MallonB♭ Major16B136 BPM
Te deum, LWV 55: Te deum laudamus by Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Cyril Auvity, Alain BuetTe deum, LWV 55: Te deum laudamusJean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Cyril Auvity, Alain BuetA Minor08A172 BPM
Purcell : King Arthur : Air by William ChristiePurcell : King Arthur : AirWilliam ChristieG Minor16A0 BPM
Silete venti, HWV 242: II. Dulcis amor, Jesus care by George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond LeppardSilete venti, HWV 242: II. Dulcis amor, Jesus careGeorge Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond LeppardE Major112B132 BPM
ISRC
FRZ209408615
Label
L-M Records/RCA Records

Section: 0.5555181503295898

End: 0.5598366260528564