Symphony Orchestra Radio Luxemburg, Paul Redinowski, Walter Klien's 'Op.15: Oddities Story (Kuriose Geschichte): Children Scenes' had a release date set for July 7, 1998. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Piano Concerto (Klavierkonzerte)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Op.15: Oddities Story (Kuriose Geschichte): Children Scenes is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Op.15: Oddities Story (Kuriose Geschichte): Children Scenes by Symphony Orchestra Radio Luxemburg, Paul Redinowski, Walter Klien having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin | Claude Debussy, Aldo Ciccolini | F♯ Major | 0 | 2B | 63 BPM | ||
String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | ||
8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | ||
Auf Flügeln des Gesanges, Op.34, No.2 | Felix Mendelssohn, Julius Katchen | A♭ Major | 0 | 4B | 74 BPM | ||
Op.15: Hasche-Men (Hasche-Mann): Children Scenes | Symphony Orchestra Radio Luxemburg, Walter Klien, Paul Redinowski | C Major | 1 | 8B | 137 BPM | ||
Un poco di Chopin, Op. 72, No. 15 | Pyotr Ilyich Tchaikovsky | D♭ Minor | 1 | 12A | 69 BPM | ||
Piano Sonata in G Major, Hob.XVI: 40: 1. Allegretto e innocente | Joseph Haydn, Sviatoslav Richter | G Major | 0 | 9B | 94 BPM | ||
Dvořák: Piano Quintet in A Major, Op. 81, B. 155: II. Dumka. Andante con moto | Antonín Dvořák, Nash Ensemble | B Minor | 0 | 10A | 93 BPM | ||
V. May. White Nights | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | F Major | 1 | 7B | 144 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7 Poco Lento e grazioso | Antonín Dvořák, Anne-Sophie Mutter, Ayami Ikeba | G Major | 2 | 9B | 86 BPM |