Gioachino Rossini, Franco Calabrese, Gianandrea Gavazzeni, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia, Act 1: "Amici...soccorretemi" (Geronio, Narciso, Prosdocimo)" available on September 19, 2014. With Rossini: Il turco in Italia, Act 1: "Amici...soccorretemi" (Geronio, Narciso, Prosdocimo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: Il turco in Italia, Act 1: "Amici...soccorretemi" (Geronio, Narciso, Prosdocimo)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rossini: Il turco in Italia, Act 1: "Amici...soccorretemi" (Geronio, Narciso, Prosdocimo) by Gioachino Rossini, Franco Calabrese, Gianandrea Gavazzeni, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Il Trovatore / Act 3: "Squilli, echeggi la tromba" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 4 | 12B | 110 BPM | ||
Faust, CG 4: "Quel trouble inconnu me pénètre?" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | B♭ Major | 1 | 6B | 81 BPM | ||
Otello / Act 1: "Esultate!" | Giuseppe Verdi, Luciano Pavarotti, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 134 BPM | ||
Rigoletto / Act II: Poiché fosti invano da me maledetto | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 4 | 3B | 77 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Variations for Clarinet and Small Orchestra in C Major: No. 5, Variation III | Gioacchino Rossini, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki, Alessandro Carbonare | C Minor | 0 | 5A | 102 BPM | ||
Offenbach: La Belle Hélène, Act 2 Scene 11: No. 11, Invocation à Vénus, "On me nomme Hélène la blonde" (Hélène) | Jacques Offenbach, John Aler, Charles Burles, Jessye Norman, Nicole Carreras, Colette Alliot-Lugaz, Gabriel Bacquier, Jean-Philippe Lafont, Choeur Du Capitole De Toulouse, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 82 BPM |
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