"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Yo-Yo Ma, Bobby McFerrin was released on May 12, 2017. With this song being about 5 minutes long, at 5:10, "Orchestral Suite No. 3 in D Major, BWV 1068: II. Air" by Johann Sebastian Bach, Yo-Yo Ma, Bobby McFerrin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Yo-Yo Ma Plays Bach by Johann Sebastian Bach, Yo-Yo Ma. The song's track number on the album is #19 out of 20 tracks. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Orchestral Suite No. 3 in D Major, BWV 1068: II. Air by Johann Sebastian Bach, Yo-Yo Ma, Bobby McFerrin has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Orchestral Suite No. 3 in D Major, BWV 1068: II. Air being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Cello & Jazz Piano Trio: I. Baroque in Rhythm - Instrumental | Claude Bolling, Yo-Yo Ma | G Major | 1 | 9B | 113 BPM | ||
Keyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabile | Franz Joseph Haydn, Viviane Chassot | C Major | 0 | 8B | 140 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Concerto in D Minor for 2 Mandolins, RV. 532: Andante (Arr. For Cello and Voice) | Antonio Vivaldi, Yo-Yo Ma, Bobby McFerrin | G Major | 1 | 9B | 113 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Sinfonia concertante in A Major, W. C 34: I. Andante di molto | Johann Christian Bach, Yo-Yo Ma, Pinchas Zukerman, Saint Paul Chamber Orchestra | D Major | 0 | 10B | 99 BPM | ||
Viola da Gamba Sonata No. 1 in G Major, BWV 1027: III. Andante | Johann Sebastian Bach, Yo-Yo Ma | G Minor | 2 | 6A | 96 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: Andante grazioso | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | C Major | 0 | 8B | 124 BPM | ||
Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM |
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