"Cello Concerto No. 5 in C Major, Hob.VIIb:5: II. Adagio" by Franz Joseph Haydn, Lynn Harrell, Angeli Ensemble was released on July 5, 2011. Since Cello Concerto No. 5 in C Major, Hob.VIIb:5: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "The Known Unknowns". In this album, this song's track order is #5. Cello Concerto No. 5 in C Major, Hob.VIIb:5: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto No. 5 in C Major, Hob.VIIb:5: II. Adagio by Franz Joseph Haydn, Lynn Harrell, Angeli Ensemble having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": II. Andante | Franz Schubert, Alban Berg Quartett, Elisabeth Leonskaja, Georg Hortnagel | F Major | 0 | 7B | 93 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 2. Arie mit Chor: "Nun schwanden vor dem heiligen Strahle" | Franz Joseph Haydn, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | A Major | 2 | 11B | 87 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso | Johannes Brahms, David Zinman | C Major | 2 | 8B | 121 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: IIIa. Passacaglia. Andante | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | D♭ Major | 1 | 3B | 178 BPM | ||
Gondellied (Barcarolle) in A major (1837): Allegretto non troppo, MWV U 136 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 72 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob.I:105: I. Allegro | Joseph Haydn, Andrius Puskunigis, Michael Kaulartz, Woitek Garbowski, Pirkko Langer, Heidelberg Symphony Orchestra, Thomas Fey | B♭ Major | 1 | 6B | 132 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
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