On January 8, 2010, the song "Fuge F-moll" was released by Christine Schornsheim, Christine. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christine Schornsheim's "Musik Im Bachhaus - Historische Tasteninstrumente" album is number 16 out of 17. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Fuge F-moll is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Fuge F-moll by Christine Schornsheim, Christine to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in G Minor, Op. 3, No. 2: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 129 BPM | ||
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 2 | 10B | 114 BPM | ||
Vedendo amor, HWV 175: Aria: Rise Eurilla - Recitative: Fra tanto | George Frideric Handel, Jochen Kowalski, Siegfried Pank, Christine Schornsheim | D♭ Major | 1 | 3B | 118 BPM | ||
Rondo in A Minor, Wq. 56/5, H. 262 | Carl Philipp Emanuel Bach, Christine Schornsheim | E Minor | 0 | 9A | 110 BPM | ||
Concerto grosso in E Minor, Op. 3/4, RV. 550: II. Allegro assai | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, The English Concert, Trevor Pinnock | B Minor | 4 | 10A | 119 BPM | ||
Orchestral Suite No. 4 in D Major, BWV 1069: I. Ouverture | Johann Sebastian Bach, Ludwig Güttler, Matthias Schmutzler, Roland Rudolph, Thomas Käppler, Andreas Lorenz, Manfred Krause, Günter Klier, Virtuosi Saxoniae | A Major | 1 | 11B | 77 BPM | ||
Concerto Grosso In C Major, Op. 6, No. 10: I. Preludio: Andante Largo | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | A Major | 1 | 11B | 142 BPM | ||
Rosary Sonata No. 13 in D Minor, C. 102 "The Descent of the Holy Ghost": Sonata - Gavotte - Gigue - Sarabanda | Heinrich Ignaz Franz von Biber, Mayumi Hirasaki, Michael Freimuth, Christine Schornsheim, Jan Freiheit | F♯ Minor | 0 | 11A | 109 BPM | ||
Concerto in B-Flat Major, Op. 7, No. 3: I. Allegro | Tomaso Albinoni, John Anderson, Simon Wright, Philharmonia Orchestra | B♭ Major | 3 | 6B | 202 BPM |
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