Johann Hermann Schein, Ludwig Güttler, Blechbläserensemble Ludwig Güttler made "Vom Himmel hoch - Arr. by L. Güttler" available on January 1, 1984. With Vom Himmel hoch - Arr. by L. Güttler being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 25 in Bläsermusik zur Weihnacht by Ludwig Güttler, Blechbläserensemble Ludwig Güttler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Vom Himmel hoch - Arr. by L. Güttler is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Vom Himmel hoch - Arr. by L. Güttler by Johann Hermann Schein, Ludwig Güttler, Blechbläserensemble Ludwig Güttler is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Cantiones sacrae: Surrexit Christus hodie, SSWV 18 | Samuel Scheidt, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": Celia, That I Once Was Blest (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
O Jove, from stately throne | Richard Farrant, Catherine King, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 78 BPM | ||
Schein: Suite No. 2 in D Minor (from "Banchetto musicale, 1617"): II. Gagliarda a 5 | Johann Hermann Schein, Hespèrion XX, Jordi Savall | C Major | 1 | 8B | 113 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn III - Astiterunt reges terrae | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Lagrime di San Pietro: III. Tre volte haveva a l’importuna | Orlande de Lassus, Gallicantus, Gabriel Crouch | F Major | 1 | 7B | 182 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Mit Fried und Freud ich fahr dahin, WoO VI/17, No. 8 | Max Reger, Huelgas Ensemble, Paul Van Nevel | C Major | 0 | 8B | 82 BPM | ||
Suite No. 1 in G Minor: III. Courante | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | B Major | 1 | 1B | 104 BPM |
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