- BPM
- 132
- Key
- C Major
- Camelot
- 8B
Quae Est Ista - Traditional, Benedictines of Mary, Queen of Apostles Information
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 3%
- Instrumentalness
- 9%
- Liveness
- 11%
- Loudness
- 57%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 4%
- Loudness
- -25.639 dB
Summary
"Quae Est Ista" by Traditional, Benedictines of Mary, Queen of Apostles was released on March 31, 2024. With Quae Est Ista being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Sister Wilhelmina At Ephesus". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Quae Est Ista's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Quae Est Ista BPM
With Quae Est Ista by Traditional, Benedictines of Mary, Queen of Apostles having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Quae Est Ista Key
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tota pulchra es | Traditional, Ensemble vocal Liquescentes | F Major | 1 | 7B | 125 BPM | |
 | 6 Partsongs, Op. 18 (Version for Mixed Chorus): No. 3, Venematka | Jean Sibelius, Dominante Choir, Seppo Murto | E Major | 2 | 12B | 105 BPM | |
 | Romanzen und Balladen, Book 3, Op. 145: No. 2. Die Nonne | Robert Schumann, Aquarius, Marc Michael de Smet | A Major | 1 | 11B | 63 BPM | |
 | St. John Passion, Part I: Hymn - Drop, Drop Slow Tears | Bob Chilcott, Chaconne Brass, Wells Cathedral Choir, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Matthew Owens | E♭ Major | 1 | 5B | 109 BPM | |
 | Lauda Jerusalem | Théodore Decker, Schola Regina, Philippe Nikolov | A Minor | 3 | 8A | 81 BPM | |
 | 27 2- and 3- Part Choruses, BB 111, Vol. 7: No. 1. Banat (Regret) | Béla Bartók, Schola Hungarica, László Dobszay | C Minor | 0 | 5A | 80 BPM | |
 | Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | |
 | Jesus Has Come | I-to Loh, Tapestry Chamber Singers | C Major | 1 | 8B | 83 BPM | |
 | O Sacrum Convivium | Roberto Remondi, Benedictines of Mary, Queen of Apostles | C Major | 0 | 8B | 132 BPM | |
 | Einzug des Chores: Laudate omnes gentes | Jacques Berthier, Bach-Chor Siegen, Ulrich Stötzel | A Minor | 2 | 8A | 86 BPM |
- ISRC
- GBWUL2405005
- Label
- L-M Records/RCA Records
Section: 0.5562520027160645
End: 0.5596885681152344