"Ave Maria (after J.S. Bach)" by Birgit Nilsson, Ake Leven was released on July 5, 2011. The duration of Ave Maria (after J.S. Bach) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ave Maria (after J.S. Bach)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 39 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Ave Maria (after J.S. Bach) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria (after J.S. Bach) by Birgit Nilsson, Ake Leven is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH.5 / Act 2: Entr'acte and Waltz with Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Herve Hennequin, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | D Major | 2 | 10B | 113 BPM | ||
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Nur wer der Minne Macht entsagt" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
Salome, Op. 54, TrV 215 / Scene 2: "Du wirst das für mich tun" | Richard Strauss, Birgit Nilsson, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 3 | 6B | 88 BPM | ||
Offenbach: La Belle Hélène, Act 2 Scene 11: No. 11, Invocation à Vénus, "On me nomme Hélène la blonde" (Hélène) | Jacques Offenbach, John Aler, Charles Burles, Jessye Norman, Nicole Carreras, Colette Alliot-Lugaz, Gabriel Bacquier, Jean-Philippe Lafont, Choeur Du Capitole De Toulouse, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 82 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Hört, ihr Riesen!" | Richard Wagner, Claire Watson, Eberhard Wächter, George London, Kurt Böhme, Walter Kreppel, Set Svanholm, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
Oberon, Act 2: "ozean, Du Ungeheuer" | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Aida, Act II, Scene 2: Che veggo!...Ma tu, Re (Aida, Amneris, Amonasro, Kings, Prisoners, Ramfis, Priests, People) | Giuseppe Verdi, Birgit Nilsson, Grace Bumbry, Mario Sereni, Ferruccio Mazzoli, Bonaldo Giaiotti, Coro Del Teatro Dell'Opera Di Roma, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | C Minor | 1 | 5A | 72 BPM |
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