"Salome, Op. 54, TrV 215 / Scene 2: "Du wirst das für mich tun"" by Richard Strauss, Birgit Nilsson, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1962. The duration of Salome, Op. 54, TrV 215 / Scene 2: "Du wirst das für mich tun" is about 3 minutes long, at 3:14. Based on our data, "Salome, Op. 54, TrV 215 / Scene 2: "Du wirst das für mich tun"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Strauss, R: Salome". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Salome, Op. 54, TrV 215 / Scene 2: "Du wirst das für mich tun" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salome, Op. 54, TrV 215 / Scene 2: "Du wirst das für mich tun" by Richard Strauss, Birgit Nilsson, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra, Op. 58, TrV 223: Orest! Orest! Es rührt sich niemand! | Richard Strauss, Inge Borkh, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Pictures at an Exhibition: Ballet of the unhatched chicks | Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 1 | 3B | 176 BPM | ||
Phaéton, Op.39 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 80 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM |
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