Mario Ruiz Armengol, Claudia Corona made "Piano Sonata: III. Presto" available on June 1, 2009. With Piano Sonata: III. Presto being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Piano Recital: Corona, Claudia - Zyman, S. / Ruiz Armengol, M. / Chavez, C. / Villa-Lobos, H. / Ginastera, A. (Musica Latinoamericana)". In this album, this song's track order is #4. The popularity of Piano Sonata: III. Presto is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Piano Sonata: III. Presto by Mario Ruiz Armengol, Claudia Corona having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cuadros de una exposición para orquesta: Paseo I | Orquesta Filarmónica de Slavonia, Alberto Lizzio | F Major | 1 | 7B | 79 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 4. Presto | Johann Sebastian Bach, Hilary Hahn | G Minor | 3 | 6A | 125 BPM | ||
El trópico (from H.P. Suite) | Carlos Chávez, Alondra de la Parra, Philharmonic Orchestra of the Americas | E Major | 4 | 12B | 90 BPM | ||
Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
String Quartet No.2 in D: 3. Notturno | Alexander Borodin, Emerson String Quartet | A Major | 1 | 11B | 86 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Iberia - Piano (Pub.1906) - Book 1: 1. Evocación | Isaac Albéniz, Alicia de Larrocha | D♭ Major | 0 | 3B | 69 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
3 Danzas indígenas mexicanas "Jaliscienses": No. 3. Allegro | José Rolón, Claudia Corona | G Major | 2 | 9B | 118 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM |
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