Paul Hindemith, Christian Lindberg, Roland Pöntinen made "Sonata: 1. Allegro Moderato Maestoso beginning" available on November 4, 2020. With Sonata: 1. Allegro Moderato Maestoso beginning being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Paul Hindemith, Christian Lindberg, Roland Pöntinen's "Hindemith: Sonata for Piano and Trombone" album is number 1 out of 13. Sonata: 1. Allegro Moderato Maestoso beginning is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonata: 1. Allegro Moderato Maestoso beginning by Paul Hindemith, Christian Lindberg, Roland Pöntinen to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Klavierstück in E Major | Anton Webern, Jean-Jacques Dünki | E Major | 1 | 12B | 63 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 86 BPM | ||
Violin Concerto in D Minor: Violin Concerto in D Minor: II. Langsam | Robert Schumann, Isabelle Faust, Freiburger Barockorchester, Pablo Heras-Casado | G Major | 1 | 9B | 106 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM |
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