Carmina Burana / Uf dem Anger: "Were diu werlt alle min" - Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum Information

Acousticness: 91%
Danceability: 38%
Energy: 39%
Instrumentalness: 90%
Liveness: 34%
Loudness: 77%
Speechiness: 4%
Valence: 27%
Popularity: 1%
Loudness: -14.082 dB

Summary

Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum's 'Carmina Burana / Uf dem Anger: "Were diu werlt alle min"' came out on January 1, 1988. With Carmina Burana / Uf dem Anger: "Were diu werlt alle min" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #10. Carmina Burana / Uf dem Anger: "Were diu werlt alle min" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmina Burana / Uf dem Anger: "Were diu werlt alle min" BPM

With Carmina Burana / Uf dem Anger: "Were diu werlt alle min" by Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Carmina Burana / Uf dem Anger: "Were diu werlt alle min" Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere)	John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker	G Major	0	9B	71 BPM
Zwei A Capella-Chöre, Carl Orff 1953	Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey	G Major	1	9B	117 BPM
Macbeth: Overture (Preludio)	Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	A Major	3	11B	136 BPM
Messa di Requiem, Offertorio: Domine Jesu Christe -	Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker	A♭ Major	1	4B	79 BPM
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!"	Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus	E Minor	2	9A	78 BPM
Das Lied von der Erde: III. Von der Jugend	Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic	G Minor	1	6A	89 BPM
Nabucco / Act 3: Oh, chi piange? / Del futuro nel buoio discerno	Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin	B Major	2	1B	98 BPM
Te Deum, WAB 45: 1. Te Deum laudamus	Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll	C Minor	2	5A	126 BPM
Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Ewiger Wonnebrand"	Gustav Mahler, John Shirley-Quirk, Chicago Symphony Orchestra, Sir Georg Solti	E Major	1	12B	112 BPM
Verdi: Messa da Requiem: VIII. Recordare	Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano	C Major	2	8B	114 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.2795031070709229

End: 1.2834606170654297