"El amor brujo: 8. Ritual Fire Dance" by Manuel de Falla, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1987. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Villa-Lobos: Cantilena From Bachianas Brasileiras No. 5 / Barber: Adagio / Vaughan Williams: Fantasia On Greensleeves etc by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #3 out of 12 tracks. Based on our statistics, El amor brujo: 8. Ritual Fire Dance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since El amor brujo: 8. Ritual Fire Dance by Manuel de Falla, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 148 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With El amor brujo: 8. Ritual Fire Dance being at 148 BPM, the half-time would be 74 BPM with a double-time of 296 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Myrthen, Op. 25: No. 24, Du bist wie eine Blume (Arr. Godowsky) | Robert Schumann, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
III. Andante | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | G Major | 1 | 9B | 101 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6 in G Minor, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Nikolai Lugansky | G Minor | 0 | 6A | 170 BPM | ||
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Yo-Yo Ma | F Minor | 0 | 4A | 115 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM |
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