"[Suite en sol mineur]: IX. Tombeau pour Marais le Cadet (No. 71)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. [Suite en sol mineur]: IX. Tombeau pour Marais le Cadet (No. 71) is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 35 out of 112. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, [Suite en sol mineur]: IX. Tombeau pour Marais le Cadet (No. 71) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en sol mineur]: IX. Tombeau pour Marais le Cadet (No. 71) by Marin Marais, François Joubert-Caillet, L'Achéron to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
Improvised Prelude | Paolo Pandolfo | A♭ Minor | 0 | 1A | 76 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Les Indes Galantes - Musette en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 0 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 4 Tambourins: Premier Tambourin (Suite des Matelots) & Deuxième Tambourin | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | C Major | 4 | 8B | 76 BPM | ||
Exit Passacaille en si mineur | Rolf Lislevand | D♭ Major | 2 | 3B | 117 BPM |
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