Raffaelo Rontani, Gérard Souzay, Dalton Baldwin's 'O primavera: Aria' came out on January 1, 2004. The duration of O primavera: Aria is about 3 minutes long, at 3:21. Based on our data, "O primavera: Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Song Recital". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, O primavera: Aria's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With O primavera: Aria by Raffaelo Rontani, Gérard Souzay, Dalton Baldwin having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armenian Songs: Mankakan aghotq - Hayr Mer - Children's Prayer - Our Father | Komitas, Hasmik Papian, Vardan Mamikonian | D Major | 0 | 10B | 76 BPM | ||
La bonne chanson, Op. 61: No. 1, Une Sainte en son auréole | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel" | Opera Australia Orchestra, Nicole Car | A Minor | 1 | 8A | 68 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Chansons de Marjolie: No. 7, En paradis | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Einsamkeit, D 620: I. Gib mir die Fülle der Einsamkeit! | Franz Schubert, Ian Bostridge, Lars Vogt | G Major | 0 | 9B | 67 BPM | ||
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Ave María | Sigvaldi Kaldalóns, Karlakórinn Heimir | G Major | 2 | 9B | 99 BPM | ||
Der Zigeunerbaron: Act II: So voll Frohlichkeit | Johann Strauss II, Hermann Prey, Erika Köth, Monica Sinclair, Josef Schmiedinger, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Gertrud Burgsthaler-Schuster, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | C Major | 3 | 8B | 103 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM |
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