Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge's 'Lucia di Lammermoor / Act 3: "Qui del padre ancor respira"' came out on January 1, 1972. Since Lucia di Lammermoor / Act 3: "Qui del padre ancor respira" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lucia di Lammermoor / Act 3: "Qui del padre ancor respira" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 3: "Qui del padre ancor respira" by Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata - Act. I - Un Dì, Felice, Eterea | Luciano Pavarotti, Renata Scotto | F Major | 2 | 7B | 75 BPM | ||
Rondine al nido | Vincenzo de Crescenzo, Luciano Pavarotti, Andrea Griminelli, Henry Mancini, Unknown Orchestra | G Major | 2 | 9B | 174 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
I Puritani / Act 1: O di Cromwell guerrieri | Vincenzo Bellini, Renato Cazzaniga, Dame Joan Sutherland, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 79 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
I Puritani / Act 2: Il rival salvar tu dei | Vincenzo Bellini, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 83 BPM | ||
Il Trovatore / Act 3: "L'onda de'suoni mistici" - "Manrico!" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Graham Clark, National Philharmonic Orchestra, Richard Bonynge | G Minor | 2 | 6A | 92 BPM | ||
Il Trovatore / Act 3: "Giorni poveri vivea" | Giuseppe Verdi, Marilyn Horne, Nicolai Ghiaurov, Ingvar Wixell, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 4 | 8B | 131 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM |
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