5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus - Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern Information

Acousticness: 99%
Danceability: 57%
Energy: 2%
Instrumentalness: 0%
Liveness: 14%
Loudness: 63%
Speechiness: 7%
Valence: 55%
Popularity: 1%
Loudness: -22.256 dB

Summary

Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern made "5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus" available on January 2, 2005. With 5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #7 out of 42 tracks. In terms of popularity, 5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus BPM

Since 5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus by Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

5 Canons on Latin Texts, Op. 16: Crucem tuam adoramus Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Parade: Choral - Prélude du rideau rouge - Prestidigitateur chinois	Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach	C Major	0	8B	80 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Minor	1	7A	174 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
6 Chansons: No. 2. J'avais un amour autrefois… (I had a love in the past)	Iannis Xenakis, Stephanos Thomopoulos	D Major	3	10B	142 BPM
Sinfonietta No. 2: I. Notturno: Adagio	Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	B♭ Minor	0	3A	76 BPM
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante	Antonín Dvořák, Smetana Trio	F Minor	1	4A	85 BPM
Lamentate: Fragile	Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart	D Major	1	10B	126 BPM
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante	Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit	A♭ Major	1	4B	107 BPM
Four Dirges, Sz. 45, Op. 9a: 1. Adagio	Béla Bartók, Alexei Lubimov	E Major	0	12B	0 BPM
Ligeti : Romanian Concerto : II Allegro vivace	György Ligeti, Jonathan Nott, Berliner Philharmoniker	G Major	2	9B	168 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7104051113128662

End: 0.7171003818511963