"Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Nolite me considerare quod fusca sim - Vineam meam non custodivi" by Giovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert was released on August 27, 2013. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Palestrina: Cantica Salomonis". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Nolite me considerare quod fusca sim - Vineam meam non custodivi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Motets for 5-8 Voices: Book 4 for 5 Voices, "Canticis Canticorum" *: Antiphon: Nolite me considerare quod fusca sim - Vineam meam non custodivi by Giovanni Pierluigi da Palestrina, Sarah M. Newman, Palestrina Ensemble Munich, Venanz Schubert having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
Sacred Madrigals, Book 2 (Delle madrigali spirituali libro secondo): Figlio immortal | Giovanni Pierluigi da Palestrina, Agnes Kovacs, Agnes Pinter, Judit Andrejszki, Karoly Paszti, Zoltan Kalmanovits, Corvina Consort | D Minor | 1 | 7A | 115 BPM | ||
Palestrina: Missa Brevis - 12. Agnus Dei 1 | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 85 BPM | ||
Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | A Minor | 1 | 8A | 75 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Holy is the True Light | William Henry Harris, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | B♭ Major | 0 | 6B | 130 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM |
Section: 0.6314032077789307
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