Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio
Antonín Dvořák, Jan Vogler, Chad Hoopes, Tiffany Poon
The Dvorak Album
6:21 July 29, 2022
BPM
88
Key
F Minor
Camelot
4A

Embed

Share Link

Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio - Antonín Dvořák, Jan Vogler, Chad Hoopes, Tiffany Poon Information

Acousticness
96%
Danceability
23%
Energy
23%
Instrumentalness
88%
Liveness
9%
Loudness
75%
Speechiness
4%
Valence
9%
Popularity
Loudness
-15.098 dB

Summary

"Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio" by Antonín Dvořák, Jan Vogler, Chad Hoopes, Tiffany Poon was released on July 29, 2022. Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 13 in the song's album "The Dvorak Album". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio BPM

With Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio by Antonín Dvořák, Jan Vogler, Chad Hoopes, Tiffany Poon having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) by Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the FieldsBoccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the FieldsA Major011B85 BPM
Pavane, Op. 50 (Version for Piano) by Gabriel Fauré, Jorge Federico OsorioPavane, Op. 50 (Version for Piano)Gabriel Fauré, Jorge Federico OsorioF♯ Minor011A75 BPM
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel by Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd AlbrechtArmida, Op. 115, B. 206, Act II: Act II: VorspielAntonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd AlbrechtE♭ Major05B83 BPM
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major by Franz Schubert, Khatia Buniatishvili4 Impromptus, Op. 90, D. 899: No. 3 in G-flat majorFranz Schubert, Khatia BuniatishviliF♯ Major02B69 BPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Album for the Young, Op. 39: No. 3. Mamma (Maman) by Pyotr Ilyich Tchaikovsky, Carol RosenbergerAlbum for the Young, Op. 39: No. 3. Mamma (Maman)Pyotr Ilyich Tchaikovsky, Carol RosenbergerG Major09B87 BPM
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour by Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony ParntherPetite Suite de Concert, Op. 77: III. Un sonnet d'amourSamuel Coleridge-Taylor, Chineke! Orchestra, Anthony ParntherD Major010B62 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinZdes' khorosho ('How Fair This Spot'), Op. 21, No. 7Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinA Major011B87 BPM
Masquerade - Ballet Suite: 1. Waltz by Aram Khachaturian, London Symphony Orchestra, Stanley BlackMasquerade - Ballet Suite: 1. WaltzAram Khachaturian, London Symphony Orchestra, Stanley BlackC Major38B100 BPM
ISRC
DEE862200657
Label
L-M Records/RCA Records

Section: 0.5961582660675049

End: 0.5998101234436035