"Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio" by Antonín Dvořák, Jan Vogler, Chad Hoopes, Tiffany Poon was released on July 29, 2022. Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 13 in the song's album "The Dvorak Album". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No. 4 in E Minor, Op. 90, B.166, "Dumky": II. Poco adagio by Antonín Dvořák, Jan Vogler, Chad Hoopes, Tiffany Poon having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM |
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