Magnificat à 3 voix et basse continue, C. 136: I. Magnificat - Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Fabien Armengaud Information

Acousticness: 94%
Danceability: 39%
Energy: 6%
Instrumentalness: 0%
Liveness: 11%
Loudness: 62%
Speechiness: 5%
Valence: 20%
Popularity: 0%
Loudness: -23.067 dB

Summary

Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Fabien Armengaud's 'Magnificat à 3 voix et basse continue, C. 136: I. Magnificat' came out on October 21, 2016. With Magnificat à 3 voix et basse continue, C. 136: I. Magnificat being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. Magnificat à 3 voix et basse continue, C. 136: I. Magnificat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Magnificat à 3 voix et basse continue, C. 136: I. Magnificat BPM

The tempo marking of Magnificat à 3 voix et basse continue, C. 136: I. Magnificat by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Fabien Armengaud is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Magnificat à 3 voix et basse continue, C. 136: I. Magnificat Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Trio Sonata in G Major, Op. 52 "La félicité" (Ed. R. Gwilt): I. Lentement - Allegro - Lent	Louis-Nicolas Clérambault, London Baroque	F♯ Minor	3	11A	113 BPM
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute)	Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau	A♭ Major	1	4B	105 BPM
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso	Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury	F♯ Minor	2	11A	113 BPM
Viola da Gamba Concerto in A Major: I. A tempo guisto	Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin	E♭ Major	0	5B	97 BPM
Suite in A Minor: V. La Piemontoise	Louis Couperin, Laurence Cummings	A♭ Minor	3	1A	71 BPM
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: IV. Israel hoffe auf den Herren! / Wer hofft in Gott und dem Vertraut	Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin	C Minor	2	5A	88 BPM
Chaconne in A Major	Louis-Nicolas Clérambault, The Bach Players	F♯ Minor	0	11A	79 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi	Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore	D♭ Major	3	3B	129 BPM
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante	Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz	D♭ Major	3	3B	100 BPM
Actéon, H. 481, Scene I: Allons, marchons, courons	Marc-Antoine Charpentier, Les Arts Florissants, William Christie	D♭ Major	4	3B	152 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.133967399597168

End: 1.137765884399414