"Condemned for Life" by Billy Eckstine was released on February 4, 1949. The duration of Condemned for Life is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Condemned for Life's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 13 in Billy Eckstine Sings by Billy Eckstine. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Condemned for Life is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Condemned for Life by Billy Eckstine is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hold My Hand | Don Cornell | E♭ Major | 2 | 5B | 82 BPM | ||
No Love, No Nothin’ | Ella Mae Morse | G Major | 3 | 9B | 156 BPM | ||
On Green Dolphin Street | Billy Eckstine, Bobby Tucker And His Orchestra | B Major | 3 | 1B | 119 BPM | ||
I Love Being Here With You | Ernestine Anderson | D♭ Major | 2 | 3B | 123 BPM | ||
Any Time, Any Day, Anywhere | Lee Wiley | D Major | 5 | 10B | 153 BPM | ||
Star Eyes | Helen O'Connell | D♭ Major | 2 | 3B | 91 BPM | ||
The You and Me That Used to Be | Rudy Vallee and His Connecticut Yankees | F Major | 1 | 7B | 101 BPM | ||
This Could Be the Start of Something | Buddy Greco | A♭ Major | 5 | 4B | 113 BPM | ||
A Way of Life | Jimmy Durante | C Major | 3 | 8B | 81 BPM | ||
You Call It Madness (But I Call It Love) | Billy Eckstine | F Minor | 2 | 4A | 89 BPM |
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