Lee Wiley made "Any Time, Any Day, Anywhere" available on April 21, 1951. The duration of Any Time, Any Day, Anywhere is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Any Time, Any Day, Anywhere's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Night in Manhattan". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Portugal. Based on our statistics, Any Time, Any Day, Anywhere's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Any Time, Any Day, Anywhere by Lee Wiley having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tea For Two | Benny Goodman Quartet | A♭ Major | 4 | 4B | 130 BPM | ||
Bill Bailey, Won't You Please Come Home | The Cast | C Minor | 4 | 5A | 113 BPM | ||
Skyliner | Charlie Barnet | F Minor | 6 | 4A | 108 BPM | ||
The Object Of My Affection (with Jimmie Grier) - 78 rpm Version | The Boswell Sisters, Jimmie Grier | F Major | 2 | 7B | 67 BPM | ||
Everything I Love | Morgana King | B♭ Major | 1 | 6B | 96 BPM | ||
Manhattan | Annie Ross | D Major | 1 | 10B | 122 BPM | ||
Nobody Knows | Eddie Condon | E♭ Major | 2 | 5B | 129 BPM | ||
There, I've Said It Again | Vaughn Monroe | A♭ Major | 2 | 4B | 72 BPM | ||
The You and Me That Used to Be | Rudy Vallee and His Connecticut Yankees | F Major | 1 | 7B | 101 BPM | ||
Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM |
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