"Spielmusik for String Orchestra, Op. 57 No. 4: V. Gigue" by Rudolf Moser, I Tempi, Gevorg Gharabekyan was released on June 3, 2022. With Spielmusik for String Orchestra, Op. 57 No. 4: V. Gigue being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Rudolf Moser: Works for String Orchestra". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Based on our statistics, Spielmusik for String Orchestra, Op. 57 No. 4: V. Gigue's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spielmusik for String Orchestra, Op. 57 No. 4: V. Gigue by Rudolf Moser, I Tempi, Gevorg Gharabekyan having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Tosca, SC 69, Act I: Perché chiuso? - Qual occhio - Mia gelosa! | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 71 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 15, Petit adage | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Spielmusik for String Orchestra, Op. 57 No. 4: IV. Bourrée | Rudolf Moser, I Tempi, Gevorg Gharabekyan | B Minor | 1 | 10A | 132 BPM | ||
25 Études faciles et progressives, Op. 100: No. 4, Petite réunion | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Symphony No.4 in A (Italian): Second Movement (Pilgrim's March) | Various Artists | G Minor | 2 | 6A | 137 BPM |
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