The Royal Wind Music's 'Seven Baby Crows (Nanatsu no Ko)' came out on December 16, 2012. The duration of Seven Baby Crows (Nanatsu no Ko) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Seven Baby Crows (Nanatsu no Ko)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 33 in En Er Mundo by The Royal Wind Music. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Seven Baby Crows (Nanatsu no Ko) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Baby Crows (Nanatsu no Ko) by The Royal Wind Music is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
With His Blood the Dear Lord Jesus SHZ 561 | Laestadian Lutheran Church, Laurel Loukusa, Elle Keranen | F Major | 0 | 7B | 76 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: V. Forte | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
6 Solos: Sonata in C Major: III. Largo | Alessandro Besozzi, Brynjar Hoff, Kåre Nordstoga | G Major | 1 | 9B | 79 BPM | ||
Airs for the Spring: Ranunculus: I. Aria: Moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 85 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Anti-Masque | Anonymous, The Royal Wind Music, Paul Leenhouts | D♭ Major | 1 | 3B | 80 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: II. Ad genua. "Ad uber portabimini" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 100 BPM |
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