Carmen Prietto, Bert Weedon's 'Nada me Quiere' came out on July 25, 2019. With Nada me Quiere being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Songs from Mexico (Remastered Version)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Nada me Quiere is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nada me Quiere by Carmen Prietto, Bert Weedon having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Semele, Act I, HWV 58: “Endless Pleasure Endless Love” | Charlotte Hoather | F Major | 2 | 7B | 141 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | ||
Sechs deutsche Lieder, Opus 41: Nr. 2 Lied aus Aslaugas Ritter (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | D♭ Major | 2 | 3B | 132 BPM | ||
Mazs, laimīgs zēns: No. 8, Vientuļais Namiņš (Transcr. for Mezzosoprano and Piano) | Raimonds Pauls, Elina Garanca | A♭ Major | 0 | 4B | 81 BPM | ||
El Perico | Carmen Prietto, Bert Weedon | G Major | 1 | 9B | 97 BPM | ||
Mussorgsky: Boris Godunov, Prologue: "Nu, chtozh vy?" (Officier, Chorus) | Modest Mussorgsky, Issay Dobrowen, Chœurs russes de Paris, Stanisław Pieczora, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM |
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