"The Barber of Seville, Act II: “Se Il Mio Nome Saper Voi Bramate” (Count Almaviva)" by Alfredo Kraus, Guitar Accompaniment was released on October 14, 2022. The duration of The Barber of Seville, Act II: “Se Il Mio Nome Saper Voi Bramate” (Count Almaviva) is about 3 minutes long, at 3:16. Based on our data, "The Barber of Seville, Act II: “Se Il Mio Nome Saper Voi Bramate” (Count Almaviva)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 40 in Classical Choice: Romantic Italy by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Barber of Seville, Act II: “Se Il Mio Nome Saper Voi Bramate” (Count Almaviva) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Barber of Seville, Act II: “Se Il Mio Nome Saper Voi Bramate” (Count Almaviva) by Alfredo Kraus, Guitar Accompaniment is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
Bohemios | Ataúlfo Argenta | B♭ Major | 2 | 6B | 122 BPM | ||
La Tabernera del Puerto, Act 2: Para vivir a la orilla | Pablo Sorozábal, Renato Cesari, Alfredo Kraus, Orquestra De Conciertos De Madrid | E♭ Major | 3 | 5B | 187 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM | ||
Mía | Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio | F Major | 2 | 7B | 82 BPM | ||
Granada - Remastered | Agustín Lara, Alfredo Kraus, Jose Luis Lloret, Orquesta De Camara De Madrid | E Major | 4 | 12B | 131 BPM | ||
La Chulapona: "Ay, Madrleña Chulapa!" | Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal | C Major | 3 | 8B | 118 BPM | ||
Maitechu Mía | Alonso, Alfredo Kraus | F♯ Minor | 2 | 11A | 91 BPM | ||
La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM |
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