"Der Vampyr: The Vampire Returns To Life" by Heinrich Marschner, Tasmanian Symphony Orchestra, Andrew Greene was released on October 5, 2012. The duration of Der Vampyr: The Vampire Returns To Life is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Der Vampyr: The Vampire Returns To Life's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tasmanian Symphony Orchestra, Andrew Greene's "Halloween Classics" album is number 12 out of 25. In terms of popularity, Der Vampyr: The Vampire Returns To Life is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Vampyr: The Vampire Returns To Life by Heinrich Marschner, Tasmanian Symphony Orchestra, Andrew Greene to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
Divertissement, Vorstellungen 1803: No. 4, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
The Seasons, Op. 67, Pt. 3 "L’été": No. 9, Scène de l’été | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Der Templer und die Judin, Op. 60: Act I: Erkenne mich! Dich tauschte nicht dein Glauben (Guilbert, Rebecca) | Heinrich Marschner, Fritz Sperlbauer, Walter Heinrich, Georg Oeggl, Kurt Equiluz, Kurt Dickl, Leopold Vobruba, Hubert Trattnig, Liane Synek, Anonymous , Vienna Radio Symphony Orchestra, Kurt Tenner | G Major | 1 | 9B | 76 BPM | ||
Tristan und Isolde, WWV 90, Act II Scene 2: Einsam wachend in der Nacht | Richard Wagner, Janina Baechle, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM | ||
Der Holzdieb: Overture | Heinrich Marschner, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 106 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): V. Sicilienne - Allegretto molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Minor | 0 | 6A | 98 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM |
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