"Beloved Hung Chai (arr. Kazuaki Ogikubo for violin and orchestra)" by Traditional, Kazuaki Ogikubo, Takako Nishizaki, Gumma Symphony Orchestra, Henry Shek was released on November 6, 2015. The duration of Beloved Hung Chai (arr. Kazuaki Ogikubo for violin and orchestra) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Beloved Hung Chai (arr. Kazuaki Ogikubo for violin and orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 7 in Chen Gang & He Zhanhao: The Butterfly Lovers Violin Concerto by Takako Nishizaki, Gumma Symphony Orchestra, Henry Shek. Beloved Hung Chai (arr. Kazuaki Ogikubo for violin and orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beloved Hung Chai (arr. Kazuaki Ogikubo for violin and orchestra) by Traditional, Kazuaki Ogikubo, Takako Nishizaki, Gumma Symphony Orchestra, Henry Shek is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Bogorodice, Devo, Radujsa | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 124 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
On Flute I Play my Sad Verses | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 89 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Como Poden | Anonymous, Jessica Baran-Surel | A Minor | 5 | 8A | 155 BPM | ||
Lady Rich, Her Galliard | John Dowland, Nigel North | F♯ Major | 0 | 2B | 83 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Songs Of Penitence For Russia | "The Orthodox Singers" Male Choir, Georgiy Smirnov | C Major | 0 | 8B | 111 BPM |
Section: 0.6055395603179932
End: 0.6124775409698486