"Symphony No. 3 In D Minor / Part 1: 1. - Immer das gleiche Tempo - Live" by Gustav Mahler, New York Philharmonic, Leonard Bernstein was released on January 1, 1986. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gustav Mahler, New York Philharmonic, Leonard Bernstein's "Mahler: Symphony No.3" album is number 2 out of 26. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 3 In D Minor / Part 1: 1. - Immer das gleiche Tempo - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3 In D Minor / Part 1: 1. - Immer das gleiche Tempo - Live by Gustav Mahler, New York Philharmonic, Leonard Bernstein to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: Les dragons d'Alcala. Allegro moderato (Prelude to Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Minor | 1 | 6A | 107 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No. 3 In D Minor / Part 1: 1. Kräftig. Entschieden - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | B♭ Major | 1 | 6B | 71 BPM | ||
Pictures at an Exhibition: I. Gnomus | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Minor | 2 | 1A | 76 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Roman Festivals: I. Circenses | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D♭ Major | 1 | 3B | 135 BPM | ||
Symphony No. 7 in C Major, Op. 105: Vivacissimo - Adagio - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Minor | 3 | 5A | 71 BPM | ||
Medea Suite, Op. 23: III. The Young Princess. Jason | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 111 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 83 BPM | ||
Symphony No. 1 in E Minor, Op. 39: IV. Finale (quasi una fantasia) | Jean Sibelius, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 83 BPM |
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