- BPM
- 70
- Key
- D Minor
- Camelot
- 7A
Le dernier jour d'un condamné / Acte II: Me voici transférée - David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson Information
- Acousticness
- 82%
- Danceability
- 48%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 38%
- Loudness
- 29%
- Speechiness
- 18%
- Valence
- 37%
- Popularity
- 0%
- Loudness
- -42.852 dB
Summary
David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson's 'Le dernier jour d'un condamné / Acte II: Me voici transférée' had a release date set for January 1, 2008. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 5 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte II: Me voici transférée is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Le dernier jour d'un condamné / Acte II: Me voici transférée BPM
We consider the tempo marking of Le dernier jour d'un condamné / Acte II: Me voici transférée by David Alagna, Indra Thomas, Orchestre national d'île-de-France, Michel Plasson to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Le dernier jour d'un condamné / Acte II: Me voici transférée Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | |
 | Distance | Ashley Skartvedt | C Major | 6 | 8B | 183 BPM | |
 | Escena final - Primer acto, Pt. 3 | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | E Major | 3 | 12B | 146 BPM | |
 | Four Last Songs, Op. posth., TrV 296: IV. Im Abendrot | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | |
 | Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | |
 | Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | |
 | Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | |
| Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | |
 | Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | |
 | Le dernier jour d'un condamné / Acte I: Interlude | David Alagna, Orchestre national d'île-de-France, Michel Plasson | D Minor | 0 | 7A | 70 BPM |
- ISRC
- FRUM70702184
- Label
- L-M Records/RCA Records