"The Planets, Op. 32: VI. Uranus, the Magician" by Gustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-Jones was released on March 22, 2002. The Planets, Op. 32: VI. Uranus, the Magician is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones's "Holst: Planets (The) / The Mystic Trumpeter, Op. 18" album is number 6 out of 9. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, The Planets, Op. 32: VI. Uranus, the Magician is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: VI. Uranus, the Magician by Gustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-Jones to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
The Moldau (Vlatava), No. 2 | Bedřich Smetana, Leopold Stokowski | E Major | 2 | 12B | 99 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Wedding Day at Troldhaugen | Edvard Grieg, The New Symphony Orchestra Of London, Charles Mackerras | G Major | 1 | 9B | 136 BPM |
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