"Messager: The Two Pigeons, Act 2, Scene 2: The Young Man Returns to the Young Girl" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. Since Messager: The Two Pigeons, Act 2, Scene 2: The Young Man Returns to the Young Girl is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 23 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 2, Scene 2: The Young Man Returns to the Young Girl's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messager: The Two Pigeons, Act 2, Scene 2: The Young Man Returns to the Young Girl by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Piano Quartet No. 1 in G Minor, Op. 25 (Orch. By A. Schoenberg): IV. Rondo alla zingarese - Presto | Johannes Brahms, Marc Albrecht, Netherlands Philharmonic Orchestra | B♭ Major | 0 | 6B | 79 BPM | ||
Armida: Sinfonia | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | D Major | 4 | 10B | 74 BPM | ||
Véronique - opéra comique: Duo de l'escarpolette | André Messager, Florence Raynal, Michel Trempont, Monte Carlo Light Symphony Orchestra, Paul Bonneau | A♭ Major | 2 | 4B | 130 BPM | ||
Symphony No. 4 in F Minor Op. 36: III. Scherzo: Pizzicato ostinato. Allegro - Meno mosso | Pyotr Ilyich Tchaikovsky, Tokyo Symphony Orchestra, Jonathan Nott | C Major | 1 | 8B | 168 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Divertimento No. 15 in B-Flat Major, K. 287: II. Theme and Variations: g) Variation VI | Wolfgang Amadeus Mozart, Arturo Toscanini | F Major | 1 | 7B | 108 BPM |
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