- BPM
- 130
- Key
- A Major
- Camelot
- 11B
The Father (From "East of Eden") - London Symphony Orchestra, Charles Gerhardt, Lee Holdridge Information
- Acousticness
- 84%
- Danceability
- 16%
- Energy
- 2%
- Instrumentalness
- 71%
- Liveness
- 7%
- Loudness
- 36%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -38.269 dB
Summary
"The Father (From "East of Eden")" by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge was released on September 6, 2016. The duration of The Father (From "East of Eden") is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Father (From "East of Eden")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in East of Eden: Motion Picture and Television Scores of Lee Holdridge by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge. Based on our statistics, The Father (From "East of Eden")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Father (From "East of Eden") BPM
The tempo marking of The Father (From "East of Eden") by London Symphony Orchestra, Charles Gerhardt, Lee Holdridge is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The Father (From "East of Eden") Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | |
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
 | String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | |
 | Jyn Erso & Hope Suite | Michael Giacchino | G Major | 1 | 9B | 72 BPM | |
 | Concerning Hobbits | Howard Shore | D Major | 1 | 10B | 104 BPM | |
 | Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | |
 | Saint-Saens: The Carnival of the Animals - A zoological fantasy: The Aquarium | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | |
 | Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | |
 | Serenade for tenor, horn & strings, Op. 31: Elegy - O Rose, Thou Art Sick | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | F Major | 0 | 7B | 96 BPM | |
 | Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 3: No. 39, The Last Farewell | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7386519908905029
End: 0.7422764301300049