"Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn)" by Joaquín Rodrigo, Mark Walters, Grimethorpe Colliery Band, Peter Parkes was released on December 1, 1996. With this song being about 5 minutes long, at 4:44, "Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn)" by Joaquín Rodrigo, Mark Walters, Grimethorpe Colliery Band, Peter Parkes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Grimethorpe Colliery Band, Garry Cutt, Peter Parkes's "Grimethorpe Colliery Band: Grimethorpe" album is number 2 out of 12. Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concierto de Aranjuez: II. Adagio (Arr. For flugelhorn) by Joaquín Rodrigo, Mark Walters, Grimethorpe Colliery Band, Peter Parkes to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Spain | Chick Corea, Al Jarreau, Artie Maren, Joaquín Rodrigo, Rodrigo Correa, Slava Grigoryan | B Minor | 3 | 10A | 133 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Asturias (Leyenda) | Isaac Albéniz, Pablo Sainz Villegas | C Major | 3 | 8B | 104 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |
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