"Organ Sonata No. 3 in D Minor, Op. 152 "Britannica": I. St. Mary - Allegro non troppo ma con fuoco" by Charles Villiers Stanford, Daniel Cook was released on April 7, 2017. Since Organ Sonata No. 3 in D Minor, Op. 152 "Britannica": I. St. Mary - Allegro non troppo ma con fuoco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Sir Charles Villiers Stanford: Complete Organ Works, Vol. 2". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Organ Sonata No. 3 in D Minor, Op. 152 "Britannica": I. St. Mary - Allegro non troppo ma con fuoco is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Organ Sonata No. 3 in D Minor, Op. 152 "Britannica": I. St. Mary - Allegro non troppo ma con fuoco by Charles Villiers Stanford, Daniel Cook having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
Geistliche Chormusik: Herr, auf dich traue ich, SWV 377 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | G Major | 1 | 9B | 59 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Like as the Hart | Herbert Howells, The Sixteen, Harry Christophers | C Major | 0 | 8B | 82 BPM | ||
Te Deum, Hob. XXIIIc:2 | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Collegium Musicum 90 Choir | E Major | 1 | 12B | 71 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM |
Section: 0.5885581970214844
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