"Captivated by the Rose (The Nightingale), Op.2, No.2 [Plenivshis rozoï soloveï]" by Nikolai Rimsky-Korsakov, Mischa Maisky, Pavel Gililov was released on May 16, 2020. The duration of Captivated by the Rose (The Nightingale), Op.2, No.2 [Plenivshis rozoï soloveï] is about 3 minutes long, at 3:21. Based on our data, "Captivated by the Rose (The Nightingale), Op.2, No.2 [Plenivshis rozoï soloveï]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 80 in the song's album "Romantic Vol.1". In this album, this song's track order is #48. Captivated by the Rose (The Nightingale), Op.2, No.2 [Plenivshis rozoï soloveï] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Captivated by the Rose (The Nightingale), Op.2, No.2 [Plenivshis rozoï soloveï] by Nikolai Rimsky-Korsakov, Mischa Maisky, Pavel Gililov having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Emanuel Ax, Yo-Yo Ma & The Silk Road Ensemble | E♭ Major | 1 | 5B | 147 BPM | ||
Gymnopédie No. 3 (Orch. Debussy) | Erik Satie, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 0 | 9A | 69 BPM | ||
Goldberg Variations, BWV 988 (Arr. D. Sitkovetsky for String Trio): Aria | Johann Sebastian Bach, Dmitry Sitkovetsky, Gérard Caussé, Mischa Maisky | G Major | 1 | 9B | 87 BPM | ||
12 songs Op. 21 - adapted by Mischa Maisky: No. 12 Sorrow in Springtime - Adapted by Mischa Maisky | Sergei Rachmaninoff, Mischa Maisky, Sergio Tiempo | C Minor | 2 | 5A | 70 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | ||
String Quartet in E-Flat Major: II. Allegretto - Scherzo | Fanny Mendelssohn, Asasello Quartett | C Major | 2 | 8B | 154 BPM | ||
Carmen Fantasy, Op. 25: III. Lento assai | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D♭ Major | 1 | 3B | 115 BPM | ||
Die Liebende schreibt, Op. 86, No. 3 | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | F Major | 0 | 7B | 68 BPM | ||
String Quartet No. 16 in F Major, Op. 135: III. Lento assai, cantante e tranquillo | Ludwig van Beethoven, Emerson String Quartet | D♭ Major | 0 | 3B | 87 BPM |
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