- BPM
- 97
- Key
- B Minor
- Camelot
- 10A
Susannah / Act II: That's mighty pretty singin' - Live - Carlisle Floyd, Samuel Ramey, Renée Fleming, The Metropolitan Opera, James Conlon Information
- Acousticness
- 97%
- Danceability
- 34%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 14%
- Popularity
- 6%
- Loudness
- -16.782 dB
Summary
"Susannah / Act II: That's mighty pretty singin' - Live" by Carlisle Floyd, Samuel Ramey, Renée Fleming, The Metropolitan Opera, James Conlon was released on January 13, 2023. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 17 out of 32. On top of that, United States appears to be the country where this track was created. In terms of popularity, Susannah / Act II: That's mighty pretty singin' - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Susannah / Act II: That's mighty pretty singin' - Live BPM
We consider the tempo marking of Susannah / Act II: That's mighty pretty singin' - Live by Carlisle Floyd, Samuel Ramey, Renée Fleming, The Metropolitan Opera, James Conlon to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Susannah / Act II: That's mighty pretty singin' - Live Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Ochs, Octavian) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Erich Majkut, Otto Edelmann, Philharmonia Orchestra | C Major | 1 | 8B | 89 BPM | |
 | Sonata for Piano: I. Allegro risoluto | Carlisle Floyd, Heidi Louise Williams | E♭ Major | 1 | 5B | 64 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Verdi: Messa da Requiem: XVIII. Requiem aeternam | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | |
 | Stabat Mater, FP 148: 10. Fac ut portem | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Minor | 1 | 12A | 76 BPM | |
 | Turandot / Act 2: Die dritte Antwort: "La mia vittoria" (Calaf, Coro, Coro di ragazzi) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Vienna Boys' Choir | F Minor | 4 | 4A | 83 BPM | |
 | Mahler: Kindertotenlieder: No. 5, In diesem Wetter, in diesem Braus | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | C Major | 0 | 8B | 82 BPM | |
 | Forkladd gud (The Disguised God), Op. 24: Tror du, att fåren skulle … (Do you think that sheep …) (Baritone, Soprano, Chorus) | Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | A Major | 0 | 11B | 86 BPM |
- ISRC
- USY3P2206385
- Label
- L-M Records/RCA Records
Section: 0.8966405391693115
End: 0.9111437797546387