"The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in E flat: 2. [Andante], K.15dd" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 11, 2021. The duration of The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in E flat: 2. [Andante], K.15dd is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in E flat: 2. [Andante], K.15dd's duration is considered a little bit shorter than the average duration of a typical track. The song is number 363 out of 490 in Autumn Classical: Mozart by Wolfgang Amadeus Mozart, Various Artists. The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in E flat: 2. [Andante], K.15dd is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in E flat: 2. [Andante], K.15dd by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | E Major | 2 | 12B | 75 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM |
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