Joseph Haydn, Jean-Efflam Bavouzet made "Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: II. Adagio" available on April 1, 2011. Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: II. Adagio is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Jean-Efflam Bavouzet's "Haydn: Piano Sonatas, Vol. 2" album is number 2 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: II. Adagio's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sonata No. 48 in C Major, Hob. XVI:35: Sonata No. 48 in C Major, Hob. XVI:35: II. Adagio by Joseph Haydn, Jean-Efflam Bavouzet to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | D Major | 1 | 10B | 105 BPM | ||
Concerto for 2 Clarinets in E-Flat Major, Op. 35: I. Allegro | Franz Krommer, Kalman Berkes, Kaori Tsutsui, Nicolaus Esterhazy Sinfonia | B♭ Major | 1 | 6B | 134 BPM | ||
Symphony in D Major, Op. 3, No. 2: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 1 | 10B | 89 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM |
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