"Sonata quinta in C Minor: II. Allegro" by Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher was released on 2005. The duration of Sonata quinta in C Minor: II. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Sonata quinta in C Minor: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Schmelzer: Sonatae a violino solo". In this album, this song's track order is #26. Furthermore, we believe that the track originated from France. Sonata quinta in C Minor: II. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata quinta in C Minor: II. Allegro by Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
Sonata No. 17 for Three Cellos in G Minor: I. Adagio affettuoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | B Major | 2 | 1B | 98 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Issé: Issé, Prologue: Menuets | Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Major | 2 | 3B | 103 BPM | ||
Concerto grosso No. 3 in G Major, Op. 3, HWV 314: I. Largo e Staccato | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | G Major | 0 | 9B | 48 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Sonata in C Major, Op. 6, No. 1: II. Larghetto | Tomaso Albinoni, Ensemble Barocco Sans Souci | B Major | 0 | 1B | 103 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Gigue dite Pfefferstossl a violino solo senza basso | Johann Heinrich Schmelzer, Hélène Schmitt | F♯ Minor | 2 | 11A | 100 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM |
Section: 0.5913748741149902
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