"III. 1526 Matrimonio de Carlos V con Isabel de Portugal: Diferencias Sobre "Belle qui tiens ma vie" (Instrumental)" by Antonio de Cabezón, Jordi Savall, Hespèrion XXI was released on January 1, 2000. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 21 in Carlos V: Mille Regretz - La Canción Del Emperador by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, III. 1526 Matrimonio de Carlos V con Isabel de Portugal: Diferencias Sobre "Belle qui tiens ma vie" (Instrumental) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. 1526 Matrimonio de Carlos V con Isabel de Portugal: Diferencias Sobre "Belle qui tiens ma vie" (Instrumental) by Antonio de Cabezón, Jordi Savall, Hespèrion XXI is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a sei | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | D Minor | 1 | 7A | 97 BPM | ||
Les Indes Galantes - Musette en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 0 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Pues Bién, Para Ésta | Garçimunoz, Jordi Savall | F Major | 1 | 7B | 68 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: L'entrée des Scaramouches, Trivelins et Arlequins (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 111 BPM | ||
sopra Passemezzo moderno | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 2 | 9B | 139 BPM | ||
Gesproken tekst: XXIII (15): "Zij zet aan tot voortreffelijk daden in de oorlog" / Muziek: Pavana La Battaglia | Maike Boerdam, Hespèrion XXI | F Minor | 3 | 4A | 96 BPM | ||
Muy triste será mi vida | Juan Urrede, Jordi Savall, Hespèrion XX | A Minor | 1 | 8A | 80 BPM | ||
Quatrième Concert: Forlane. Rondeau - Gayement (Couperin) | Le Concert Des Nations, Jordi Savall | D Major | 2 | 10B | 100 BPM |
Section: 0.66806960105896
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