"Der Mond (1998 - Remaster): So brachte Petrus die Toten zur Ruh (Erzähler)" by Carl Orff, Rudolf Christ/Philharmonia Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, Philharmonia Orchestra was released on 1998. With Der Mond (1998 - Remaster): So brachte Petrus die Toten zur Ruh (Erzähler) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 47 in the song's album "Orff: Der Mond - Die Kluge". In this album, this song's track order is #25. Der Mond (1998 - Remaster): So brachte Petrus die Toten zur Ruh (Erzähler) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Mond (1998 - Remaster): So brachte Petrus die Toten zur Ruh (Erzähler) by Carl Orff, Rudolf Christ/Philharmonia Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, Philharmonia Orchestra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jesu Maria | The Strays Choir | G Minor | 2 | 6A | 135 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Herbert Blomstedt, Gewandhausorchester Leipzig | C Minor | 0 | 5A | 67 BPM | ||
Caresana / Arr. Pluhar: La Tarantella | Cristofaro Caresana, Christina Pluhar, Céline Scheen, Valer Sabadus, Luciana Mancini, Vincenzo Capezzuto, Zachary Wilder, Joao Fernandes | G Major | 3 | 9B | 118 BPM | ||
Sunrise Mass: I. The Spheres | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Lullaby for Cain - Instrumental | Sinéad O'Connor | D Minor | 1 | 7A | 62 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Chuncho | Yma Sumac | E Minor | 1 | 9A | 140 BPM | ||
Nisi Dominus, RV 608: Cum dederit | Antonio Vivaldi, Damien Guillon, Le Banquet Céleste | F♯ Minor | 0 | 11A | 76 BPM | ||
Refrain 4 / Monteverdi: Amor dov'è la fe' (Arr. The Dowland Project, Potter) - Medley | Stephen Stubbs, Claudio Monteverdi, The Dowland Project, John Potter | A Minor | 0 | 8A | 80 BPM | ||
Codex Las Huelgas: XI. Flavit auster (Prose XL de Santa María CLH 58) | Anonymous, Jordi Savall, Hespèrion XXI | C Major | 1 | 8B | 61 BPM |
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