"Eichendorff Lieder: Das Ständchen" by Hugo Wolf, Ian Bostridge, Antonio Pappano was released on July 10, 2006. The duration of Eichendorff Lieder: Das Ständchen is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Eichendorff Lieder: Das Ständchen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Lieder by Hugo Wolf, Ian Bostridge. The song's track number on the album is #3 out of 24 tracks. Eichendorff Lieder: Das Ständchen is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Eichendorff Lieder: Das Ständchen by Hugo Wolf, Ian Bostridge, Antonio Pappano has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Eichendorff Lieder: Das Ständchen being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon, Act II: En fermant les yeux - Remastered 2024 | Jules Massenet, Raphael Arié, London Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 80 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 1 | 8B | 111 BPM | ||
Chausson: Les papillons, Op. 2, No. 3 | Ernest Chausson, Susan Graham, Malcolm Martineau | G Major | 1 | 9B | 78 BPM | ||
Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
Winterreise, Op. 89, D. 911: No. 6, Wasserflut | Franz Schubert, Peter Mattei, Lars David Nilsson | D Minor | 0 | 7A | 96 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | F♯ Major | 1 | 2B | 145 BPM | ||
Stabat Mater, FP 148: VI. Vidit suum | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | G Major | 1 | 9B | 113 BPM |
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