"Ich sachz eyns mols" by Traditional, Ars Choralis Coeln, Maria Jonas, Susanne Ansorg, Elisabetz Seitz, Johanna Seitz was released on July 20, 2007. The duration of Ich sachz eyns mols is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Ich sachz eyns mols's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rose van Jhericho (Das Liederbuch der Anna von Köln)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Ich sachz eyns mols is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich sachz eyns mols by Traditional, Ars Choralis Coeln, Maria Jonas, Susanne Ansorg, Elisabetz Seitz, Johanna Seitz having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Ad Completorium: Hymnus "Te lucis ante terminum" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F♯ Major | 0 | 2B | 144 BPM | ||
Les Chansons Des Roses: I. En Une Seule Fleur | The Singers - Minnesota Choral Artists | D♭ Major | 1 | 3B | 131 BPM | ||
Salve regina | Traditional, Monks Of The Abbey Of Notre Dame | D♭ Minor | 0 | 12A | 95 BPM | ||
Sub Tuum Præsidium | Anonymous, Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | C Minor | 1 | 5A | 78 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM | ||
Ochte Nash | KITKA Women's Vocal Ensemble | B♭ Major | 1 | 6B | 62 BPM | ||
Responsorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B Minor | 2 | 10A | 73 BPM | ||
Isaac: Virgo Prudentissima, 6vv - 1. Virgo Prudentissima | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 112 BPM | ||
Come again, sweet love doth now invite | John Dowland, Amarcord | D Minor | 0 | 7A | 63 BPM |
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