"The Courtship of Pelops. A stage melodrama in 4 acts, Op. 31, 4. Act 3 - Scene Four: Greetings to all!" by Zdeněk Fibich, Jaroslav Vrchlický, Eduard Cupak, Josef Vinklář, Rudolf Hrušínský, Josef Velda, Jaroslava Adamová, Vladimir Brabec, Jaroslav Krombholc, Filharmonie Brno was released on January 1, 1996. Since The Courtship of Pelops. A stage melodrama in 4 acts, Op. 31, 4. Act 3 - Scene Four: Greetings to all! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 23 in Fibich: The Courtship of Pelops. A stage of a trilogy by Zdeněk Fibich, Jaroslav Vrchlický, Jaroslava Adamová, Rudolf Hrušínský, Eduard Cupak, Vladimir Brabec, Jaroslav Krombholc, Filharmonie Brno. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. The Courtship of Pelops. A stage melodrama in 4 acts, Op. 31, 4. Act 3 - Scene Four: Greetings to all! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Courtship of Pelops. A stage melodrama in 4 acts, Op. 31, 4. Act 3 - Scene Four: Greetings to all! by Zdeněk Fibich, Jaroslav Vrchlický, Eduard Cupak, Josef Vinklář, Rudolf Hrušínský, Josef Velda, Jaroslava Adamová, Vladimir Brabec, Jaroslav Krombholc, Filharmonie Brno is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Impressions from the Countryside, Op. 54: IV. Fireside Talk (Na tackach) | Zdeněk Fibich, Czech National Symphony Orchestra, Marek Štilec | E Minor | 0 | 9A | 96 BPM | ||
Symphony No. 1 in F Major, Op. 17: II. Scherzo: Allegro assai | Zdeněk Fibich, Czech National Symphony Orchestra, Marek Štilec | E Minor | 0 | 9A | 96 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Lied für Piano-Forte | Gertrude van den Bergh, Frans Van Ruth | E Major | 0 | 12B | 132 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |
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