- BPM
- 80
- Key
- D♭ Major
- Camelot
- 3B
Nabucco: Va pensiero (Chorus of the Hebrew Slaves - Act III) - Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink Information
- Acousticness
- 99%
- Danceability
- 12%
- Energy
- 6%
- Instrumentalness
- 75%
- Liveness
- 8%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 9%
- Loudness
- -17.982 dB
Summary
"Nabucco: Va pensiero (Chorus of the Hebrew Slaves - Act III)" by Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink was released on 2003. With this song being about 5 minutes long, at 5:25, "Nabucco: Va pensiero (Chorus of the Hebrew Slaves - Act III)" by Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 37 in Classical Heartbreakers by Various Artists. Nabucco: Va pensiero (Chorus of the Hebrew Slaves - Act III) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Nabucco: Va pensiero (Chorus of the Hebrew Slaves - Act III) BPM
The tempo marking of Nabucco: Va pensiero (Chorus of the Hebrew Slaves - Act III) by Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Nabucco: Va pensiero (Chorus of the Hebrew Slaves - Act III) Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | |
 | 12 Songs, Op. 21: 7. Zdes' khorosho | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | B♭ Major | 2 | 6B | 130 BPM | |
 | Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | |
 | Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | |
 | Massenet: Manon, Act 3 Tableau 1 Scene 4: "Obéissons, quand leur voix appelle … Profitons bien de la jeunesse" (Manon, Brétigny, Chorus) - Gavotte | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Major | 1 | 9B | 176 BPM | |
 | Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | |
 | Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | |
 | Pagliacci / Prologue: Prelude..."Si può? Signore! Signori!" | Ruggero Leoncavallo, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | G Major | 2 | 9B | 79 BPM | |
 | Carmen (1997 - Remaster), Act I: Duo: Parle-moi de ma mère! | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 1 | 8B | 171 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6912617683410645
End: 0.6949942111968994