Frédéric Chopin, Idil Biret made "Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute"" available on June 10, 1992. With Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 24 in Chopin: Waltzes (Complete) by Frédéric Chopin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute" by Frédéric Chopin, Idil Biret is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Waltz "Minute" N°6-8, Op. 64 | Luc Devos | D♭ Major | 2 | 3B | 107 BPM | ||
Impromptus, D 899, Op. 90: III. Andante | Franz Schubert, Rudolf Buchbinder | F♯ Major | 0 | 2B | 64 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Zigeunerweisen, Op. 20 | Pablo de Sarasate, Gil Shaham, Alejandro Posada, Orquesta Sinfónica de Castilla y León | D Major | 3 | 10B | 169 BPM | ||
From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker, Yo-Yo Ma | D♭ Major | 0 | 3B | 78 BPM | ||
Debussy: Children's Corner, CD 119, L. 113: No. 1, Doctor Gradus ad Parnassum | Claude Debussy, Monique Haas | A♭ Minor | 0 | 1A | 125 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Piano concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Vadym Kholodenko, The Norwegian Radio Orchestra, Miguel Harth-Bedoya | G Minor | 0 | 6A | 80 BPM | ||
Berceuse, Op. 16 (Version For Violin And Piano) | Gabriel Fauré, Dong-Suk Kang, Pascal Devoyon | D Major | 0 | 10B | 174 BPM |
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