Niccolò Paganini, Roberto Pasquini made "24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini" available on February 23, 2024. The duration of 24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini is about 3 minutes long, at 3:19. Based on our data, "24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Nicolò Paganini: 24 Caprices Op. 1 for Unaccompanied Flute (Transcription by Roberto Pasquini)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Italy. 24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 24 Caprices, Op. 1: No. 3 in E Minor, Sostenuto – Presto - Transcription By Roberto Pasquini by Niccolò Paganini, Roberto Pasquini having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
41 Caprices for Viola, Op. 22: XVII. Andantino con Variazioni | Bartolomeo Campagnoli, Marco Misciagna, Marco Ciannella | B♭ Major | 2 | 6B | 137 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Keyboard Sonata in B-Flat Major, Kk. 42 | Domenico Scarlatti, Sergio Gallo | B♭ Major | 0 | 6B | 108 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: I. Largo | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | F♯ Minor | 2 | 11A | 168 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: II. Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Sonata terza in G minor, Parte Prima: IV. Tempo giusto | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Trio Sonata in C Major, BuxWV 256: IV. Allegro | Dietrich Buxtehude, Ensemble Mélero | E♭ Minor | 3 | 2A | 106 BPM | ||
Guitar Quartet No. 13 in F Major, MS 40: II. Minuetto. Allegretto | Niccolò Paganini, Paganini Ensemble Vienna | C Major | 3 | 8B | 144 BPM |
Section: 0.5729200839996338
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