"Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021)" by Viktor Ullmann, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn was released on April 15, 2022. The duration of Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021) by Viktor Ullmann, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Liebeslieder, Op. 26a (arr. M-C. Liu for viola and piano): No. 1. Wo hast du all die Schonheit hergenommen | Meng-Chieh Liu, Viktor Ullmann, Teng Li | G Major | 0 | 9B | 118 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: II. Andante marcia funebre I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 0 | 5A | 85 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | E Minor | 1 | 9A | 78 BPM | ||
Piano Sonata No. 2, Op. 19: III. Prestissimo | Viktor Ullmann, Christophe Sirodeau | A♭ Minor | 0 | 1A | 133 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | G Major | 0 | 9B | 77 BPM | ||
Violin Concerto No. 1: III. Broadly. Maestoso - Quickly | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM |
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